BASIC CONCEPT:
My "Buddy" tunings for Seydel's excellent little Big Six are becoming a series!
This tuning features:
1. A partial or "skinny" I chord (actually a dyad) in the 1-2 draw.
2. A partial or "skinny" VII chord (actually a dyad) in the 1-2 blow.
3. IV and V chords that can each be played in four different ways:
3a. As a "skinny" dyad (e.g. C-E for Cmaj).
3b. As a full triad (e.g. C-E-G for Cmaj).
3c. As a "skinny" b7 chord (e.g. Bb-C-E for C7).
3d. As a full triad with b7 chord (e.g. Bb-C-E-G).
4. Every draw note has a semitone draw bend.
5. The minor hexatonic blues scale (i.e. G--Bb--C--C#--D--F--G) is playable using draw bends for the C# and the F.
One cool way to play this tuning would be like this:
>> Chug-chug-chug between I and VII dyads, with occasional bends of those first two channels.
>> When the jam moves to the IV chord, play around with the Cmaj dyad, triad, and b7th chords with and without the fifth.
>> When the jam moves to the V chord, play around with the Dmaj dyad, triad, and b7th chords with and without the fifth.
>> When the jam resolves to the I chord, go back to the first two channels.
>> The G blues scale permits additional variety--or even a solo!
WHEN/HOW: November of 2017. I have one, and I like it.
LAYOUT/DETAILS:
